The Supper is based on the ancient iconography of the Last Supper as we
know it by paintings like the fresco of Leonardo da Vinci. In The Supper
the twelve male apostles have become twelve women. They sit dressed in chador
at a table around a male Jesus figure. In slow images, Heravi presents us
the two versions of an unspoken story in which the mutual relationships
are highly charged. The film tells not only the story of betraying, but
– more important – about women and their right to be free. The
cultures of East and West come together in this intense film.